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探讨当代以美术鉴藏类电视节目剖析我国当代鉴藏

发布时间: 2011-6-11


预读:r the skill of investment and themarket quotations, but also enhance the people’s connoisseurship. Furthermore thecontent of the program is including all kinds of collection objects, especially focusingon the folk collector. The situation of Chinese contemporary collection has changedfrom emergence探讨当代以美术鉴藏类电视节目剖析我国当代鉴藏
论文中文摘要:革新开放以后,中国经济飞速进展,国家实力不断增强,人民生活也得到巨大的改善。随着人民生活水平的提升,对文化生活的追求趋于多样化,喜爱****的人越来越多,民间****再次兴盛,艺术市场日趋繁荣。鉴于当代****热及艺术品市场的繁荣,促使大众媒体积极关注鉴藏活动,纷纷开辟各种鉴藏类专刊和专栏。电视媒体也顺应潮流,并且开办了鉴藏类节目。鉴藏类电视节目的关注点是当代鉴藏,所以,节目制作遵循当代鉴藏的情况,栏目定位上以再现艺术品****的乐趣、传递艺术品投资技艺与市场行情和提升鉴赏能力为基准;内容的设置上涉及的藏品丰富多样,关注民间****力量。当然,当代鉴藏的变化也决定电视节目制作的方向。中国当代鉴藏,经历了一个民间****热以复兴到兴盛、艺术市场由形成到繁荣进展的历程,伴随着这种变化,鉴藏类电视节目也以无到有,节目宗旨由鉴赏型转向市场型的变迁。同时电视较之其他媒体具有独特性,其拥有量多、覆盖率广,传播具有特性和优势,因而,在众多媒体中显得更为人所知,并对鉴藏活动起到很大的影响作用。其具体体现为:在传播历程中,起到传播信息、引导大众、提供娱乐和文物保护作用;在节目经营中,沟通藏品和企业文化,培育了****和艺术品市场的进展,推动了藏品的多元业务开发;在与观众交流上,观众灵活的参与方式及众多的受众层,使鉴藏活动成为一种大众参与的活动,推动了藏品的社会认知,促成了藏品的市场流通。由此,本论文主要以当代鉴藏活动对电视节目的影响以及鉴藏类电视节目如何影响当代鉴藏入手,探讨二者之间相辅相成的联系,并透过电视节目来揭示当代鉴藏情况。另外,不可忽略的是,在当代鉴藏活动进展如火如荼及鉴藏类电视节目红火之际,并不能掩盖一些内部的矛盾与进展中的弊端,文章对鉴藏类电视节目以及当代鉴藏活动中有着的弊端进行反思,以期能够使电视媒体发挥其应有的功能,****与艺术品市场能够规范、健康进展。

【English Abstract】 After practicing the opening popcy of reform, Chinese economy has developedand its actual strength is getting more powerful. The level of people’s pfe has beenimproved greatly. Because of the improving in the daily pfe, more and more peoplebegin to pke collection, and the folk collection has prospered again. It leads to themarket of art works become flourishing. Owing to the upsurge of contemporarycollection and prosperous market of art works, the television media pays closeattention to the collection and opens such kind of programs. The contemporarycollection is the focus of the TV program, so the program follows the contemporarycollection from manufacture to installation of content. The orientation of the programis not only to show the pleasure of collection, depver the skill of investment and themarket quotations, but also enhance the people’s connoisseurship. Furthermore thecontent of the program is including all kinds of collection objects, especially focusingon the folk collector. The situation of Chinese contemporary collection has changedfrom emergence to flourishing gradually. So is the art market. Company with thischange, TV program also adjusts to adapt the change of the contemporary collection.Its purpose has been altered from appreciation to make market value. Meanwhile, compared to the others, the television media aiso has its advantage. For example, many famipes have TV set and the programs of the TV can influence a lot of people, so it is well-known by people and influences the contemporary collection greatly.During its spreading, TV can transmit the information, lead the people’s conception, offer entertainment, and make people protect the historical objects finally. BecauseTV has many audiences and they can participate in the program agilely, which hasfostered the market of art works and enhanced all kinds of development about thecollection objects, the dissertation discusses how the contemporary collectioninfluences the program and how the TV program embodies the contemporarycollection finally reveals the relation between them and state of the contemporarycollection.It is not neglectful that there are some disadvantages with the development of theprogram and contemporary collection, however, the dissertation reflects theseshortcomings in order that the TV programs of collection can get better and better.

【关键词】 鉴藏类电视节目; 当代鉴藏; 反思;
【Key words】 the TV program of collection; the contemporary collection; reflection;
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