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影视1990年代以来文学影视产业化潮流中的作家姿态

发布时间: 2008-2-22


预读: in the pterature of the trend since1990s, explore its intrinsic value, meaning the double impact of pterature and film television industry.Ⅴ. The writer stance in the pterature of the film and television industry trend since1990s is the characterization of the pterary film and television industry 影视1990年代以来文学影视产业化潮流中的作家姿态
论文中文摘要:自以文学走进影视,影视就离不开文学了,尤其在1990年代以来成为时代的一种需要,二者是相互推动,不可分割的。自影视和电视艺术诞生后,便呈现出勃勃生机,成为最具有群众性的艺术,为广大观众所喜爱。而小说创作目的、创作方式、有着方式、体现方式以及阅读行为等一系列的嬗变也促使创作者们的写作姿态随之潜移默化的发生着转变。在作家与影视制作单位取得双赢的同时,进一步展示文学影视产业化潮流中作家姿态的多重选择与中国当代文学的存活处境。论文共分五部分来阐述:一、总体阐述关于“文学与影视的联姻”的论争,得出本论文界定作家姿态的标准;由西方电影电视艺术介入中国电影电视艺术的进展进程,概述1990年代以来中国文学影视产业化潮流中作家的创作姿态。二、依据西方“意识形态”学说以及“未来进展”论述思想,来展示经济学与文化学的双向交融下,呈现出的经济文化或文化经济的国际未来进展走势。三、以1990年代以来文学产业化潮流中的作家姿态为立足点,总结“文学影视产业化新时代中作家的媚眼姿态”、“影视大潮中作家的殷勤姿态”以及“影视新潮流中作家的纯文学回归姿态”三种体现方式所表达的作家的创作理想。四、以具体小说文本与影视创作作品的结合,浅析随着影视产业的迅速崛起,文学以边缘化的地位到纯文学的回归历程。解读1990年代以来文学产业化潮流中作家姿态,发掘其内在的价值作用对文学与影视产业的双重影响。五、1990年代以来文学影视产业化潮流中的作家姿态是1990年代以来文学影视产业化的表征,其价值作用深远,但也有影视产业进展的瓶颈和文学创作方面的弊病。

【English Abstract】 Since pterature into television,film and TV cannot leave the pterature especially in the1990s become the era of a need, both is to promote each other and inseparable.Since the film and TV art is born, and presents the vitapty, become the most has the mass of the art, is the general audience love. And the novel writing purpose, creation way, the existing way, way and reading activity, and series of change is also prompted the creator of the writing style of the subtle change happen then. The writers and the film and television manufacture unit to obtain win-win at the same time, further show pterature trend of the film and television industry of attitude of multiple choices and writers of contemporary Chinese pterature’s pving conditions. Paper is divided into five parts to analytical.Ⅰ. General described the debates on the marriage of pterature and film,to draw this thesis,the standard to define the attitude of a writer,involved in the development process of Chinese-film and Television Arts,and overview of the trend of Chinese pterature of film and television creative gesture.Ⅱ. According to the West " ideology doctrine and future development of theoretical ideals,to demonstrate two-way blend of economic and culture,showing the economic and culture or cultural and economic future trends.Ⅲ. Footing with the attitude of writers in the pterary trend of industriapzation since1990s.Summed up the fprtatious gesture "writers in the pterary film and television industry in a new era of film and television tide the attentive attitude of the writer " and "Television New Wave writers of Pure pterary Return gesture" is expressed in three different modes expressed by the writer’s creative ideals.Ⅳ. Specific novels and film works of the combination of analysis of the pterature form marginapzed to the rapid rise of film and television industry, the return process of pure pterature.Interpretation of the writer stance in the pterature of the trend since1990s, explore its intrinsic value, meaning the double impact of pterature and film television industry.Ⅴ. The writer stance in the pterature of the film and television industry trend since1990s is the characterization of the pterary film and television industry since1990s, the value of far- reaching, but there are a bottleneck in the development of film and television industry and pterary aspects of ills.

【关键词】 1990年代以来; 文学; 影视产业化; 作家姿态;
【Key words】 since1990s; pterature; film and television; writers attitude;
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