当前位置:最艺术论文网 >> 电视电影 >> 浏览文章

改编以小说到电影:《简·爱》电影改编片中女性意识变化的

发布时间: 2010-2-14


预读:涌,妇女的性别意识和独立精神不断加强,达到登峰造极的态势,男性的不安全感已变成绝望的痛苦。此时的改编片顺应时代潮流,是几个版本中最具有女性独立意识的改编。弗兰克·泽菲雷利1996年执导的改编片反映了八、九十年代文化保守主义提倡的女性美德和家庭融洽,以及在女性主义的第三次浪潮冲击下的理性思索,由激进的****对峙联系改编以小说到电影:《简·爱》电影改编片中女性意识变化的
论文中文摘要:文学名著《简·爱》对于一代代电影人有着无法抗拒的吸引力,以它问世起高达19次被搬上屏幕。但是对于其被搬上荧幕的电影至今探讨甚少,更无系统的探讨,只对其某一版本进行孤立浅析。而且,为数不多的探讨大都以文学本体出发来看影视改编,而以影视本体角度出发的探讨甚少。本论文力图在原著文本素材的基础上,用同一部文学作品《简·爱》不同历史时期的三部电影改编片为探讨对象,探讨不同时期的历史文化背景对于改编作品的影响,及其女性形象、男性形象和与之相关的****联系在改编片中的重新塑造。本论文采取比较法通过对20世纪《简·爱》电影改编片的纵向探讨,浅析不同时期女性意识在影像上的表达,进而反映小说女性意识在不同时期电影改编片中的流变。本论文引言部分首先简要介绍了小说《简·爱》及其作者夏洛蒂·勃朗特以及本论文的探讨目的、策略和作用,并回顾《简·爱》被搬上荧幕的历程及其影视改编探讨的历史。在之后的三章里分别浅析了《简·爱》在不同历史时期的三部电影改编作品,探讨它们与原小说的差别以及各改编片主题倾向的变化。首先罗伯特·史蒂文森执导的1944年版的改编片由于受美国经济大萧条余威的影响,第二次世界大战形势的左右和妇女解放意识的提升,经济的压力和妇女地位的上升导致男性面对的焦虑和困惑,因而影片中不再有原小说中浓厚的女性主义色彩,取而代之的是一味强调母性思想、家庭观念,传统的好莱坞英雄主义情节被用来处理男性的文化焦虑。而1970年德尔伯特·曼导演的电影改编片则反映了二十世纪六、七十年代由于妇女解放运动的第二次浪潮风起云涌,妇女的性别意识和独立精神不断加强,达到登峰造极的态势,男性的不安全感已变成绝望的痛苦。此时的改编片顺应时代潮流,是几个版本中最具有女性独立意识的改编。弗兰克·泽菲雷利1996年执导的改编片反映了八、九十年代文化保守主义提倡的女性美德和家庭融洽,以及在女性主义的第三次浪潮冲击下的理性思索,由激进的****对峙联系演变为寻求平等作用上的****和谐联系,表明女性主义理想的超然境界。结语部分总结全文、指出探讨的结论和未来探讨空间。

【English Abstract】 Jane Eyre, as a classic pterary masterpiece, has irresistible attraction to film-makers due to its inspiring heroine and stimulating themes. So far, it has given rise to nineteen films. However, researches on the film adaptations are either unsystematic or sporadic. Moreover, most researches have been conducted from the perspective of pterary ontology rather than from the perspective of film ontology. This paper focuses on three different film adaptations of Jane Eyre in different eras, analyzing the manifestation and transformation of feminist consciousness by striking a comparison among these three versions. It probes into how cultural background of different eras influences the film construction and reshaping of the female and male images as well as the gender relationships.This paper first provides a brief introduction to Charlotte Bronte and her novel, Jane Eyre. Chapter One also reviews the adaptation history of Jane Eyre and related researches as well as the purpose, method and significance of this paper. In the following three chapters, the author of this thesis respectively explores the three film adaptations of Jane Eyre of different historical times by tracing their differences from the original novel. In Chapter Two, it argues that Robert Stevenson’s1944incarnation loses the feminist color in the original novel. Instead, it lays emphasis on maternal thought, family values, and the traditional Hollywood heroic complex is employed to deal with the cultural anxiety of the male, due to economic crisis and the rising status of women between the Great Depression and post-WWII. Chapter Three demonstrates that Delbert Mann’s1970film adaptation reflects women’s independent sense to its most when the women’s pberation movement reaches the cpmax of the second wave in the1960s and1970s by describing men as desperate while women as tougher and stronger. Chapter Four concentrates on Franco Zeffirelp’s1996version, arguing that following waves of feminist thought, a state of transcendence of feminism has been achieved, owing to the cultural conservatism in the1980s and the early1990s which urges the estabpshment of a more harmonious and equal relationship between men and women. The last chapter summarizes the whole thesis and arrives at the conclusion of the study and its future research space.

【关键词】 《简·爱》; 电影改编; 女性意识; 文化背景;
【Key words】 Jane Eyre; film adaptation; feminist consciousness; cultural background;
专注****艺术论文,********请联系客户人员
音乐论文、舞蹈、戏曲、美术、体育、播音主持、电视电影、环境艺术毕业设计.....尽在最艺术论文网 !竭诚为你服务,需要****或者发表艺术类论文可联系****人员哦