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简论雕塑家共性·个性·女性

发布时间: 2009-8-3


预读:ents, the group of sculptresses is representative in sculptress history.On the study of the group of sculptresses, the thesis mainly analyzes the art achievements from the three points: creation commonness, creation individuapty and feminie quapty in a particular historical context and in a social b简论雕塑家共性·个性·女性
论文中文摘要:****美术学院雕塑艺术创作探讨所八位女雕塑家所组成的女雕塑家群体,不管是在近代雕塑史上还是在女性艺术史上都是一个独有的现象。这八位女雕塑家,是新中国成立后由中国最高美术院校****美术学院培养的第一批女雕塑家,又集中在****美术学院雕塑艺术创作探讨所工作,为新中国的城市雕塑建设作出了巨大的贡献。不管是以她们所受的艺术教育还是以艺术成就来看,这个女雕塑家群体在女雕塑家艺术史上是具有代表性的。对于这个女雕塑家群体的探讨,本论文试图把这个群体现象放在特定历史语境中进行考察,主要以女雕塑家群体的艺术创作共性、创作个性和女性品质这三个方面作为切入点对女雕塑家群体的艺术创作进行浅析,并结合社会学层面上的各种因素作为不足探讨的参照背景,来反映这个群体的艺术成长和进展历程。论文的第一章介绍了女雕塑家群体的概况,浅析了群体形成的理由,并概括了群体的总体特点;第二章主要探讨女雕塑家群体的艺术创作共性,浅析了影响她们艺术创作共性的必定因素,由此探讨了任务性雕塑如何成为她们艺术创作共性显现的主要途径;第三章主要浅析女雕塑家群体的艺术创作个性,探讨了她们艺术创作个性的特点和创作个性进展的多方面途径;第四章是以女性的角度来考察,讨论了她们艺术作品中的女性品质和女性精神;最后,本论文总结了女雕塑家群体探讨的作用和价值。

【English Abstract】 The Group of Eight Sculptresses in CAFA Sculpture Creation Institution is a unique phenomenon no matter in the contemporary sculpture history or in the feminie art history. These eight sculptresses are the first number of sculptresses who graduated from the highest art college—Central Academy of Fine Arts since the founding of New China, and they also focused on the CAFA Sculpture Creation Institution in devotion to the construction of city sculptures of New China. No matter in view of their education or their art achievements, the group of sculptresses is representative in sculptress history.On the study of the group of sculptresses, the thesis mainly analyzes the art achievements from the three points: creation commonness, creation individuapty and feminie quapty in a particular historical context and in a social background in order to give a clear reflection of the development of the group’s art creation. The first chapter introduces the general situation and the formation of the group, and gives the general features. Chapter 2 mainly discusses the commonness of the group, and studies the necessities of their creation commonness and how the assigned sculptures became the main way of the commonness emerging. Chapter 3 is mainly about the creation individuapty of the group, and explores the characteristics and the development of their individuapty. Chapter 4, from the angle of feminie study, discusses the feminie quapty and femenie spirit in the works of the eight sculptresses. Finally, the writer tries to sum up the significance and value of the group study.

【关键词】 雕塑家; 雕塑史; 雕塑艺术; 出版社; 艺术创作; 创作探讨; 中国美术; 城市雕塑; 创作个性; 美术家;
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