当前位置:最艺术论文网 >> 美术 >> 浏览文章

试议画论六朝画论与文论联系探赜

发布时间: 2008-11-25


预读:ed regimes as well as an active period with easy cultural environment. During this period, metaphysics rose then prevailed, art trends toward high prosperity at the same time. Figure painting developed rapidly, landscape painting sprouted, and the achievement on painting theory was unprecedented. Th试议画论六朝画论与文论联系探赜
论文中文摘要:以政权更迭频繁,政治不稳,思想异常活跃,文化环境宽松为特点的六朝时期,玄学兴起并盛行,艺术走向高度繁荣。人物绘画迅速进展,山水画萌芽,绘画论述的成就,可谓空前。文学的成就也同样惊人,纯粹的美文学骈体文进展起来,文学的各种体现手段、各种体现技艺纷纷出现,文学论述也十分发达。以发生学的角度看,文学与绘画在进展历程中联系密切,因而,画论与文论在此时也程现影响与渗透的联系。六朝时期画论和文论开始以哲学和政论文中独立出来,他们在玄学的影响下生机盎然。玄学对宇宙本源的探讨、玄学的策略论、玄学家的生活方式和态度等,这些都直接影响了画论和文论的进展。如此时文论和画论中也开始对艺术所追求的目的——“神”、“情”、“自然之道”等进行阐述,对审美范畴“气韵”、“趣”、“味”等进行论述。那么,在这些论述范畴的探讨中,画论和文论必定会有影响与被影响的联系,本论文主要用现代艺术论述的策略以艺术的本体论、艺术的功能论、艺术的创作论和艺术的接受论方面对画论和文论的联系进行探赜。全文共分五个部分。第一部分主要对画论和文论的思想背景进行探源。对于六朝时期的画论和文论来说,六朝时期的玄学是他们共同的思想背景之一,玄学在影响六朝美学的同时,也影响了画论和文论。第二部分是对画论和文论本体论的探讨。在六朝玄学的思想背景下,人们在对宇宙本体进行追溯的同时,也开始了对艺术本体的探讨。蓬勃进展的文论对文学本体的探究可能会影响到画论对绘画本体的探究。第三部分是对画论和文论功能论的梳理。在玄学人情化的自然中,艺术在功能方面也有了新的突破,画论和文论对此也都提出了艺术审美娱乐功能的观点,那么,画论和文论在这方面也必定有一定的联系。第四部分是对画论和文论创作论的浅析。在玄学思维方式的影响下,绘画和文学的审美开始由外向内进行关注,这体现在艺术创作上就是人们开始对艺术创作主体、艺术创作心境、艺术创作构思,艺术创作中感物说的探寻。那么,画论和文论对这些论述的总结也会有着彼此影响。第五部分是对画论和文论中一些鉴赏论述的探赜。六朝艺术审美以外向内的转向体现在艺术接受中则是出现了一些新的鉴赏论述,而通过对部分鉴赏论述的浅析我们也能看到画论和文论之间的一些影响。总之,本论文以魏晋时期的文化背景入手,运用现代艺术论述的范畴,粗浅的梳理浅析了玄学背景下的画论与文论的联系。虽然文章有着很多的不足之处,但以期能够有助于我们进一步了解古代画论在其产生和进展的历程中的渊源,以而使我们对我国优秀的传统文化有一个更加清晰的了解和认识,为丰富我们的艺术论述探讨和艺术创作实践起到一点积极的作用。

【English Abstract】 Six Dynasties was a poptical instabipty period with frequently changed regimes as well as an active period with easy cultural environment. During this period, metaphysics rose then prevailed, art trends toward high prosperity at the same time. Figure painting developed rapidly, landscape painting sprouted, and the achievement on painting theory was unprecedented. The achievement on pterature was astonishing as well, in which belles-lettres, the parallel style was developed, various kinds ofmeans and skills of expression of pterature appeared, and pterary theory was flourishing. From the angle of embryology, pterature and painting are closely related in the development, therefore, the relationship between the theory of painting and the theory of pterature is interacting and interpenetrated.The theory of painting and the theory of pterary began to separate fromphilosophy and poptical essay in Six Dynasties, which bloomed under the influence of metaphysics. The development of the theory of painting and the theory of pterary were directly affected by the research on universal origin, methodology ofmetaphysics, and the pfe style and attitude of metaphysicians. So when the pterary and art theory began to pursue the purpose of art -,“spirit”“passion”“natural way”, was expounded,“artistic conception”“interest”“taste”of aesthetic category was discussed, among them the theory of painting and the theory of pterature were interacting. This paper studies the relationship between the theory of painting and the theory of pterary from the following four aspects: the art of ontology, the function of arts, artistic creation, and the theory of appreciation.Paper is divided into five parts,The first part is the ideological background of the Origin of theory of painting and theory of pterary of Six Dynasties. Six Dynasties period on the theory of art and cultural theory, the Six Dynasties period metaphysics is one of their common ideological background, Metaphysics on the one hand affect the Six Dynasties aesthetics, on the other hand affect the art and cultural theory of. The second part is theory of painting and theory of pterary of Six Dynastie on the Ontology. Metaphysical thinking in the context of the Six Dynasties, people in the retrospective nature of the universe, it also began a discussion of art itself. Flourishing of cultural ontology of inquiry in pterature may a

专注****艺术论文,********请联系客户人员
音乐论文、舞蹈、戏曲、美术、体育、播音主持、电视电影、环境艺术毕业设计.....尽在最艺术论文网 !竭诚为你服务,需要****或者发表艺术类论文可联系****人员哦