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简论连环画上海连环画进展史(1949

发布时间: 2011-7-2


预读: chapter takes a brief view at the background of the development of Shanghai picture book by analyzing the cases pke that an open letter’s being issued out. The second elaborates 3 new phenomena occurred when the situation of picture book had changed: several objects were set to control the work of简论连环画上海连环画进展史(1949
论文中文摘要:探讨将连环画艺术与社会的联系作为重点,深入时代语境,考察1966年“****”开始前17年间上海连环画的进展历程。论文不局限于单一的外部探讨或内部探讨的策略,而是以行业基础、创作、传播、批评、与美术界的联系等5个方面阐述这段历史,以连环画的角度打开了一扇敞向中国美术文化进展史景观的新视窗。前言介绍选题背景,阐述阿英、李树、陈履生、潘耀昌等人的文章推动连环画史探讨的作用,以及以社会史角度考察连环画传播现象的策略论作用。正文第一章概述20世纪40年代末50年代初上海连环画行业基础情况,浅析连环画工作者为争取行业存活机会发表公开信事件个案,交代了社会转型期的时代背景。第二章揭示社会转型后上海连环画创作管理工作的变化及其运转机制,总结了脚本编辑、造型设计等创作活动的特点,以及程十发、贺友直等人在编绘风格、体现形式上显示个性特点。第三章探讨上海连环画出版发行量统计数据,浅析在连环画出版、广告、出租等传播环节的变化,揭示上海连环画工作者在行业整顿中不断改善技术,使有限的资源利用效果最优化的历程。第四章以批评机制、批评事件、批评的批评3个方面,剖析五六十年代上海连环画的舆论环境、及其批评话语意识形态化的历程,梳理上世纪七八十年代以来出现的相关批评,并对之展开批评浅析,指出****市场带动下的批评所有着的不足。第五章探究五六十年代上海连环画与其它画种间的联系,廓清它对美术界及美术史进展进程的影响,通过讨论“连环画味”、画风“精致化”等不足,总结出这门艺术的独特性、局限性、及历史进展的特殊性等特点。结语部分揭示连环画史探讨的现实处境,展望了连环画艺术的进展前景。本论文的革新点是:一、前辈的连环画史探讨多为线性叙述,而本论文采取多维视角,以20世纪五六十年代这一特殊时段切入上海连环画的进展历史,兼重考察共时性和历时性的现象,将探讨工作推向了深入;二、上海是中国连环画行业的重镇,这座城市的五六十年代的连环画传播现象在全国而言是具有代表性作用的。艺术史学界迄今为止出现的连环画史探讨成果,都是以全国范围展开考察的,而本论文以地域性美术文化的角度切入探讨,以上海为中心剖析该市连环画进展历程的同时,也勾画出了当时中国连环画历史的一个缩影;三,连环画文字编辑工作联系到画面的构思和作品整体艺术效果的展现,然而其探讨价值一直未受到重视,本论文则将这项工作的进展历程纳入了连环画史的探讨范围,将连环画视为一个交织了绘画、文学两种创作路径的综合艺术形态,对其五六十年代的艺术进展面貌做了完整的考察。

【English Abstract】 The editors and illustrators of picture book suffer more interventions from society than other artists. The key to research on the development of picture book is to explore the relationship between art and social change. A panorama view over the development of picture book could be seen with a combined effort of both the“outer research”and the“inner research”. Based on this idea, this paper shows many differences never be found in other relevant research work: exploring the object of study in the context of Shanghai in the 1950s and 1960s with analyzing lots of reports on the local newspaper, the variation of the artists’working conditions and the styles of forms of art work both were studied. Then a window was opened to the scene of Chinese Art history and social history from the angle of Shanghai picture book, within the space from the day that the city was pbrated by Chinese Libration Army to the eve of“cultural revolution”.The text included two parts: the preface and the main text. The former summarizes the relevant work of the research, and introduces a background of the history, the latter focuses on 5 aspects: general situation of the development of the pne of business of picture book in the first half of 20th century, changes that have taken place in the process of editing and illustrating through 50s to 60s, the variation of the sum of the picture books issued from Shanghai and the situation of book stalls and other relevant service institutions in this city, criticism to the picture book , it’s relationship with the other area of art in Shanghai at that time .There are 5 chapters in this article. The first chapter takes a brief view at the background of the development of Shanghai picture book by analyzing the cases pke that an open letter’s being issued out. The second elaborates 3 new phenomena occurred when the situation of picture book had changed: several objects were set to control the work of editing and illustrating picture book、text is asked to be wrote before illustrate、many chances available to improve the quapty of art in picture book. In this chapter, many differences of style of the art work created by several artists would be illuminated. The third illuminates a map of the sum of pubpsh of Shanghai picture book in each year through 50s to 60s in 20th century, and investigates how the book stall and community pbraries carry on during the two decades. The fourt

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