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谈谈音乐西方音乐的“全球化”与中国近现代音乐的联系


预读:th western music,Which includeshow to understand "Traditional " and "Hybridization of culture".                【关键词】 西方音乐;      中国近现代音乐;      普世性;      全球化;          【Key words】 Western music;      Chinese modern music;      Umiversapsm;      Globapzation;      谈谈音乐西方音乐的“全球化”与中国近现代音乐的联系
论文中文摘要:“全球化”是人类历史进展历程中的必定走势,作为一种文化现象的音乐,也同样出现了一种全球化,那就是西方音乐。西方音乐进展到今天已经成为一种全球化的音乐,并且成为世界上的主流音乐文化,当然,西方音乐在中国也已经成为了中国艺术音乐的主流,中国人需要西方音乐。同时,西方音乐在进展历程中也是以不拒绝吸收对它本身有用的东西,哪怕是东方的东西,西方音乐也同样欢迎中国人的参与。本篇论文一共分为三章,第一章主要论述的是西方音乐的“全球化”。解释了“全球化”这一种文化现象,通过客观真实的一些资料,来论述西方音乐的全球化都有哪些体现。另外,在这一章中,也着重谈到了在五彩斑斓的音乐世界里,世界上各民族都有如此多的音乐品种,每一种都有极高的艺术价值,而为什么偏偏西方音乐成为了一种全球化的音乐,普世性的艺术。本论文的第二章主要论述的是西方音乐与中国近现代音乐的联系。这一章主要以三个角度展开了论述,首先讨论了西方音乐是怎样向中国传播的,传播的方式都有哪些?其次讨论了中国人学习西方音乐究竟是被动的接受呢还是中国人的自主选择,文章中以各个角度论述了中国人学习西方音乐是中国人的自主选择。在本章的最后讨论了关于中国近现代音乐的归属不足的深思,并最终得出结论,中国近现代音乐当然是中国人通过自己的努力运用西方音乐文化的成果创造中国近现代音乐文化的历史,同时也是中国近现代的音乐家参与创作西方音乐的历史。探讨西方音乐史,其最重要的目的就是为了反思中国音乐以及对中国音乐出路的深思,所以在本论文的第三章中,以几个方面讨论了中国音乐面对西方音乐的全球化到底应该以怎样的方式去面对,分别是对“传统的”理解,理性面对西方音乐在中国以及对“文化杂交”的深思。

【English Abstract】 Globapzation has been an inevitable trend in the course of the history ofmen.Music,as a category of cultural phenomenon also joins in the cument ofglobapzation,Which is represented by the western music.Up to now,Western music hasbeen global and been the main music culture of the world.Of course,western music hasalready become the mainstream of chinese music and the chinese needs it.Meanwhile,western music never refuses to absorb anything that is benifical to itself in thepeocess of its development even that comes from the east.Western music is welcome tothe participation of chinese as well.The term is divided into 3 chaplers and first one mainly presents the globpzation ofWestern music.It explains the cultural phenomenon--- Globapzation and narrates themanifestation of the giobapzation of western music by means of some object and truedata.In addition,the chapter stresses that various nationapties in the world have so manysorts of music and each sort has highly artistic value.But why does the western musiconly become the universal and widespread kind of music.The second chapter chieflytells about the relationship between western music and chinese modern music.Itdiscusses the topic in three perspectives.First of all,it expounds how western musicspreads into china the ways it spreads. Secondly it analyses whether Chinese people arewilpng to accept western music or not and then prove that Chinese people learn westernmusic at their own will.At the end of the chapter it talks over the ownership of Chinesemodern music.What’s more,it draws the conclusion that the history of chinese modernmusic is not only the history that Chinese people create Chinese modern music cultureby the effort to make use of western music but slso Chinese modern musicionsparticipate in composing western music.The key to studying western music is to rethinkprofoundly about Chinses music and its outlet.Therefore in the third chapter,it discussesin several aspeets how Chinese music should cope with western music,Which includeshow to understand "Traditional " and "Hybridization of culture".

【关键词】 西方音乐; 中国近现代音乐; 普世性; 全球化;
【Key words】 Western music; Chinese modern music; Umiversapsm; Globapzation;
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