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中西文化融合视角下的歌剧《秦始皇》

发布时间: 2010-11-26


预读:材国际化、音乐素材多元化、艺术手段多样化、创演阵容强大化等方面的创作理念。第五部分是针对歌剧本体的浅析,以《秦始皇》中的中国五声调式、增四度音型化材料,吟诵材料和剧情创作几个方面对《秦始皇》作了音乐本体浅析。第六部分较为详细的结合《秦始皇》中的诸多文化元素作了浅析,其中对京剧、傩戏、秦腔文化在歌剧中的体中西文化融合视角下的歌剧《秦始皇》
论文中文摘要:文章在对前人探讨歌剧《秦始皇》的成果广泛搜集、整理、浅析的基础上,以中西文化融合的角度对《秦始皇》相关的创作理念、创作手法、文化含义进行了浅析。在浅析多元文化的含义、文化相对论论述、文化全元论论述的基础上,结合实际总结了歌剧的创作理念,进而浅析了歌剧的声乐本体特点,最终落脚在歌剧蕴含的文化浅析上,得出了《秦始皇》诸多方面的文化含义。文章包括绪论和结论在内共有7个部分:绪论部分介绍了论题的由来和探讨作用,在综述前人探讨成果的基础上,提出了仍需进一步探讨的不足,进而明确了探讨重点和探讨策略。第二部分是《秦始皇》介绍,以总体情况、作者介绍、剧情介绍三个方面对《秦始皇》作了介绍,为后文奠定了基础。第三部分是论文写作的论述依据,以多元文化的含义、文化相对论、文化全元论几个方面对多元文化的几个重要的论述作了论述,为下文结合歌剧的实际展开浅析打下了基础。第四部分是歌剧的创作理念浅析,在上文多元文化论述的基础上,得出了《秦始皇》题材国际化、音乐素材多元化、艺术手段多样化、创演阵容强大化等方面的创作理念。第五部分是针对歌剧本体的浅析,以《秦始皇》中的中国五声调式、增四度音型化材料,吟诵材料和剧情创作几个方面对《秦始皇》作了音乐本体浅析。第六部分较为详细的结合《秦始皇》中的诸多文化元素作了浅析,其中对京剧、傩戏、秦腔文化在歌剧中的体现作了浅析,对歌剧剧情的文化也作了浅析。第七部分是结论部分,在总结全文的基础上,得出了《秦始皇》体现了文化的多元化、平等性、联系性、独特性、交融性特点,为中国歌剧走向世界提出了倡议。

【English Abstract】 Opera in the previous research paper "The First Emperor," the results of extensive collection, collation, analysis, based on the angle from the fusion of east and west culture of the "Emperor" related to the creative concept, creative practices, cultural meanings are analyzed. In analyzing the meaning of multiculturapsm and cultural relativity theory, the whole element of cultural theory, based on the summary of the opera with the actual creative ideas, and then analyzes the characteristics of the opera’s vocal body, and ultimately settled in the Cultural Analysis of the opera, the draw the "First Emperor" in many aspects of cultural meaning. Articles, including introduction and conclusion, including a total of seven parts:Preface introduces the topic of the origin and significance, results of previous studies in the review, based on the proposed issues still need further study, and then defined the research focus and research methods.The second part is the "Emperor" Introduction, the overall situation, Author, Synopsis of three aspects of "The First Emperor" made a brief introduction to lay the foundation for the later.The third part is the theoretical basis for essay writing, from the meaning of multiculturapsm, cultural relativism, and cultural aspects of the whole element of cultural diversity have been discussed several important theories, for the following combination of the actual start of the opera foundation .The fourth part is the creative concept of the opera, in the context of multi-cultural theories, based on the draw of the "Emperor" international theme, music, material diversity, artistic means of diversification, creating a powerful speech and other aspects of cosmetic creative idea .The fifth part is the body for analysis of the opera, this opera is a cultural studies perspective, so this part of the opera sound only from the classification, the use of sound classification, vocal style, story creation aspects of the "Emperor" made the music ontology analysis.Part VI in more detail with "The First Emperor" in an analysis of the many cultural elements, in which the opera, Nuo Opera, Shaanxi culture reflected in an analysis of opera, the story of the culture of opera analyzed.Part VII is the conclusion, on the basis of summing up the full text, obtained the "Emperor" reflects the cultural diversity, equapty, connectivity, unique, blend of features, the China Opera and made recommendations to the world.

【关键词】 歌剧; 秦始皇; 文化; 探讨;
【Key words】 Opera; The First Emperor of China; Culture; Research;
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