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浅析丝竹论江南丝竹乐中的扬琴音乐


预读:浅析丝竹论江南丝竹乐中的扬琴音乐
论文中文摘要:中国扬琴的进展历史并不长,若以清朝康熙年间算起也就是十七、十八世纪之交,传入中国也就三百余年。这短短的三百余年中,扬琴以一件伴奏乐器进展为一件独奏乐器,形成了自己独特的演奏风格和乐派,这与艺术家们不断地摸索革新是分不开的。本论文以传统扬琴流派中江南丝竹乐曲及其江南丝竹合奏乐曲的浅析为着手点,重点探讨扬琴在江南丝竹乐曲中的演奏技法及风格,通过不同的角度,来体现本命题的论述、现实及运用价值。关于本论题的探讨,本人主要以以下几个部分来进行论述:第一部分为绪论,表明选题缘由及作用,对探讨的历史与近况评述,以及笔者采取的探讨论述、策略和解决的不足等;第二部分阐述了丝竹乐与江南丝竹这两个乐种的起源,以及江南丝竹乐的乐队编制;第三部分是介绍江南丝竹乐种中扬琴加入的时间,以及在该乐种中所起到的作用,进而来说明江南丝竹乐种中扬琴的重要量,以及在江南丝竹乐中扬琴的演奏技法,浅析江南丝竹乐中扬琴的演奏风格特点;第四部分介绍了江南丝竹乐中扬琴的传承及进展,包括乐器革新、人才培养、音乐创作和代表人物等几个方面,音乐创作包括了江南丝竹合奏曲改编的扬琴独奏曲以及江南丝竹这一音乐元素在现代扬琴作品中的进展。第五部分为结论,对全文进行了归纳总结。希望通过本论题,能够给学习和探讨传统扬琴流派中江南丝竹乐的人以助微薄之力,让大家更好的理解江南丝竹作品独特的音乐语汇,培养民族音乐的审美情趣,最终来弘扬中华民族的民族文化。

【English Abstract】 Chinese dulcimer development history is not long, but from the Kang xi Emperor(May 4, 1654–December 20, 1722) was the third Emperor of the Manchu Qingdynasty, the turn of the eighteenth Century. China is more than 300 years. However,in this short period of 300years, dulcimer from a musical accompaniment to a soloinstrument, also formed its own unique style and genre, with artists continue toexplore innovation are inseparable. Based on the traditional dulcimer schools in silkand bamboo music in South River Land band music and silk and bamboo music inSouth River Land band music ensemble analysis points out, focuses on the study ofdulcimer in silk and bamboo music in South River Land band music performancetechnique and style, through different angles, to reflect the propositional theory,reapty and its apppcation value.On the research of this thesis, I mainly from the following several parts fordiscussion: the first part is introduction, indicating and significance of this issue, theresearch history and present situation of, and I used the research theory, method andsolve problems; the second part elaborated the silk and bamboo band music in southRiver Land and the two types of music origin, as well as silk and bamboo music inSouth River Land band staff; the third part introduces silk and bamboo band musicSouth River Land of dulcimer in time, as well as in the music in the role, and toillustrate the important of dulcimer in silk and bamboo band music in South RiverLand ;The fourth part in introduces the silk and bamboo music in South River Landband music of dulcimer heritage and development ,including the reform of musicapnstruments, personnel training ,music creation and representatives of several aspects,including the silk and bamboo band music in South River Land ensemble adaptationof the dulcimer solo as well as the development of the modern dulcimer works in silkand bam music in South River Land ;The fifth part is the conclusion ,summaryinduction full text.Through this topic I hope that can help people who learn traditional dulcimerschools in silk and bamboo band music in South River Land to understand better .Thecultivation of national musical aesthetic taste, eventually to carry forward Chinesenational culture.

【关键词】 江南丝竹乐; 江南丝竹扬琴; 演奏技艺; 风格特点; 传承与进展;
【Key words】 silk and bamboo music in south river land band; dulcimer; performance skill; style characteristics; heritage has been developed;
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