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浅析皴法论皴和皴法

发布时间: 2009-2-3


预读:un  and PiMaCun  and traces their evolvement, variation in the different ages.The thesis is the beginning of author’ s research on skill theory of Chinese painting. After understanding the skills of brush, ink, water, color and composition, the research will step up the skills from experience to th浅析皴法论皴和皴法
论文中文摘要:本论文选择中国山水画中重要的视觉元素“皴”和“皴法”作为探讨对象。在西方理性文化与中国诗性文化比较的横坐标和中国人物画向山水画转变的纵坐标上,挖掘出“皴”和“皴法”诞生的必定性、必要性和特殊性。论证了它们与山水画同步进展的联系以及不同画家的“皴性”。并将它们作为类比性视觉语言符号系列,梳理出“斧劈皴”、“披麻皴”两大系统,追踪了它们的古代增殖脉络和现代变异态势。 本论文是作者中国画技法论述探讨系列的开端。随着对笔法、墨法、水法、色法、章法等探讨的深入展开,将有助于中国画技法由经验层次上升到论述层次,以推动中国画技法的持续进展和更新。

【English Abstract】 Here is an thesis on Cun (皴) and Cunfa (皴法) which are important visual genes of Chinese landscape painting, in the horizontal coordinate of contrast western rational culture to Chinese poetic culture and vertical coordinate from Chinese figural painting to landscape painting, clarifying the inevitabipty, prerequisite, particularity of the birth of Cun and CunFa, and demonstrating the synchronous relationship between them and the development of Chinese landscape/different artist has different character of Cun and CunFa. The thesis emphasizes analogy language of Cun and CunFa, two systems of FuPiCun and PiMaCun and traces their evolvement, variation in the different ages.The thesis is the beginning of author’ s research on skill theory of Chinese painting. After understanding the skills of brush, ink, water, color and composition, the research will step up the skills from experience to theory, and will help them development and renewal.

【关键词】 皴; 皴法; 创造; 文化; 进展;
【Key words】 Cun; Cunfa; Creation Culture; Development;
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